









Please know that I’m rooting for you, always!
Please know that I’m rooting for you, always!
Ray: A lot of the time we feel that our lives the worst, but I think that if you looked in anybody else’s closet, you wouldn’t trade your shit for their shit. So let’s go.
Screenshots from ‘Mid90s’ (2018)
While I have some drafts I’ve been working on for this blog (means that I clearly had zero talent in writing but know if I put some nice pictures it would help give nuances to it), I just wanted to share one of my source of joy during this quarantine.
A friend in the past introduced me to DW’s music and I instantly loved the spacey sound of his guitars, the echoing lines and how his songs created such a peculiar mood. I didn’t listen to him from Osker or Fingers Cut Megamachine but I do enjoy all albums under his own name.
Last year, I Google search him a few times a year to see if an album has dropped and he is hard to follow (essentially absent from social media except an inactive Facebook page and he doesn’t have a website). Then one day I received a notification from his Facebook page and he posted some updates regarding his upcoming album and he’s on Instagram!
After a six year break A Tear in Fabric was released. As written on his Bandcamp page, the break was defined by a series of changes: the birth of his daughter and the illness and eventual dead of his father.
My favourite songs from this release: Domesticated, Slow Motion, In Babylon.
Photos:
Devon Williams’ live stream from home on Instagram, May 2020.
Photo: Devon Williams
I had this photo of him taped on the wall of my work desk. Aryaduta Semanggi A37A, 2017.
‘In Babylon’. Captured and edited from the video, courtesy of Slumberland Records, 2020.
Captured from ‘Dazed and Confused’
The irony of so-called street style today is that, really, it exists online. IKR!
Captured from Black Mirror 03×04 “San Junipero”
I have found myself thinking too much about death, not that I want to end my life or anything. It’s just what I believe has gotten me to this point is the fact that I’ve realized how easy we can leave this world.
I often experienced death of strangers that I saw on the article or social media from a curious perspective. While I accepted it as an inevitable part of life, I also thinking it can generate a great deal of terror of the unknown future is. Their death motivated me to explore deadly diseases, cause of most accidents, drugs, war or what environment challenges which may impact on our lives. I would read up and learn about them for weeks. On and on again, just to imagine if my time on earth will still be long.
Black Mirror’s San Junipero is truly-wonderfully bad dream for me. They said movies we cherish the most are not those that feel the farthest from our experience. They are the ones that—in the darkness and stillness of a room —reanimate the wonder and mystery of tiny chunk of the world we know.
Even the series have been a constant reminder that everything could be flicked off with the switch of a button, San Junipero kinda made me hopeful on the concept of life and death.
It’s convenient.
A haunting reminder to live every moment to the fullest.
p.s. I knew I wanted to post this since I first watched the series, but couldn’t shake the melancholy mood, lol
Captured from Moonrise Kingdom
Will leaving for Daerah Istimewa Yogyakarta soon.
Actually this was a saved draft from 2012 that I’ve found in the draft folder (obv!). But I did just got back from DIY last Sunday so this is… what?